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Saturday, 17 July 2010

The Musketeers of Pig Alley (1912)

Posted on 11:42 by Unknown
Here's another by legendary filmmaker D.W. Griffith.  The Musketeers of Pig Alley is the earliest example of a gangster film and features Lillian Gish in one of her first screen roles.  The film follows a musician and his fiancee as they struggle in New York City.  The musician leaves in order to make some money.  While he is away, the young woman meets the Snapper Kid, head of a gang in the slum.  The musician returns a richer man, only to have his wallet taken by the Snapper Kid.  After the death of the girl's mother, a friend takes her to a ball with the gangsters.  The girl is almost drugged by a rival gangster when the Snapper Kid intervenes.  The argument over the girl erupts into a battle in Pig Alley.  Will the Snapper Kid survive and elude the cops?  Can the musician get his money back?

Of the films I've watched so far, this is easily the most violent.  The gun battle is quick, but gives you a sense of the brutality of it despite the lack of sound.  Griffith continues to prove his mastery of both shooting and editing film. There's one shot in particular where the Snapper Kid walks into a full close-up of his face which provides a great sense of mood.  The film creates a great atmosphere with the Snapper Kid's cigarette smoke wafting into the frame in certain scenes before you even know he is there.

Some more movie tropes are on display.  Obviously, the Snapper Kid is about as stereotypically a gangster as you could expect. He cocks his hat in his first appearance and the hat stays exactly in place for the remainder of the movie.  This is essentially every gangster you've seen in the first half of the 1900s, including James Cagney.  Although her appearance is brief, the woman's friend who shows up to take her mind off her mother's death exists in just about every romantic comedy of the last 30 years.  And of course, the musician to demonstrate his lack of cash, reaches into his pocket and pulls it completely out.

I liked this film, though not as much as Griffith's previous work.  There was a lot going on over the course of 17 minutes, but I thought the pace really slowed leading up to the gun battle.  The short shoot-out was well done and the ending has some great pantomime by the actors, particularly the gangster, that made me laugh out loud.

Watched on YouTube
Image from Some Came Running
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