mmp

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Sunday, 11 September 2011

Formative Experience: 10 Years Ago...

Posted on 04:58 by Unknown
Today's post is not movie-related.  At all.  It's my own experience of a day that frankly everyone has their own story about.  So here is mine and it takes place ten years ago, less than a mile from the Pentagon...

I awoke Tuesday morning September 11, 2001 in the Sheraton hotel in Arlington, VA. I was there for a conference so I dressed, went downstairs to grab a quick bite, and then parked myself in the lobby. The first speaker of the day was a U.S. Department of Energy speaker I had heard a couple of times so rather than hear the same talking points again, I opened my laptop and got caught up on some work.

I wasn't there long before I heard a couple of the hotel staff talking. One of them said, "Somebody flew a plane into the Empire State Building." They also mentioned that people were watching it on the TV in the bar, so I finished what I was doing and walked down to see it for myself.

One look at the screen and I realized the building was not the Empire State Building but one of the World Trade Center towers. The image was of smoke billowing out. The sound on the television was muted so the information was somewhat limited. The people gathered around engaged in idle speculation about what happened. A fire. A bomb. A small passenger plane.

Then we saw the video of the plane flying into the tower.

At first, we thought it was a replay of image CNN had gotten from somewhere else. Then one of the people crowded next to me pointed out that both towers were smoking. A minute later the sound was on and the scope of what was happening became clear. We all stood for minutes trying to comprehend the enormity of it all.

I hurried down to the ballroom where a couple of my colleagues were listening to a speaker and filled them in on what was happening.

As I was walking between the ballroom and the bar, a sound like thunder reverberated through the lobby. A few people ran outside. I followed.

Flames and smoke were obscuring the side of the Pentagon. People around me were cursing. The emotions ran from anger and confusion to terror and horror. At first, it was unclear whether the plane had actually hit the building or crashed in front of it. It only took a few moments before the scene cleared enough to see that part of the building was gone. After some time staring numbly at what used to be the wall of the Pentagon, I went back inside.

The conference at that point was effectively over. Most people were milling around the lobby, wandering in and out of the building to view the carnage. One of my friends from another state had been on the top floor of the hotel for a session. He told me that the entire building swayed from the force of the airplane as it flew low over the hotel before hitting the Pentagon.

Another friend and I ran up to our hotel room to watch the TV and call our families. As I walked that hallway, I saw the image that more than any is burned into my brain. The door to one of the rooms to my right was open with a housekeeping cart in front of it. As I peered into the room, I saw through an almost floor-to-ceiling window the Pentagon belching black smoke. Silhouetted in front of the chaos was a maid vacuuming the floor. I often wonder what was going through her brain as she dutifully cleaned the carpet while this column of black smoke rose into the sky behind her. It remains the most incongruous image I have ever laid eyes on.

We reached my hotel room and flipped on the TV. There was another hijacked plane. Wait, maybe there were two. I tried to call my wife but could not get through. I did reach work and tell them that I was all right and asked them to call my wife.

After a few minutes of watching television, there was a commotion in the hallway. A couple of housekeepers were yelling in Spanish. We opened the door in time to see them running down the hallway toward the stairs. On a day like this, when you see people running, you assume they have information you don't have, so we ran after them.

Down on the first floor, everyone was herded into the large ballroom. Comically, with hundreds of people sitting in this massive conference room, the best they could immediately do was set up a small 27-inch television with a microphone up to its speaker. We could hear the anchors talking, but not see anything. They were still reporting two additional planes in the air. They seemed to be heading toward Washington, DC. Which is where everyone in the room was.

The organizers decided to try and get the television image onto the big presentation screen, but doing so required them to turn off the television. What followed were ten excruciating minutes of silence. No knowledge. No idea where the planes were and whether they were about to drop on our heads.

With a crackle, the sound of the anchors talking was back. A moment later the image was on the large presentation screen. They were talking about reports of a plane crashing in western PA. Confusion reigned. What happened to the planes headed to DC? The reporters had obviously cleared things up while we were in our media blackout, but it took us another half hour to piece that together. 
 
From the moment I came down the stairs, we were not allowed to return to the upper floors.  Because the hotel overlooked the Pentagon, authorities were fearful of snipers.  It was both strangely comforting and horrifying that someone's job was to think that there may be snipers taking advantage of the chaos.  We were confined to the first floor lobby and ballroom, and we could go out front to look at the damage if we wanted.

The next few hours are a blur in my memory. One of my colleagues collapsed from the stress. There were reports of car bombs and other attacks in DC (all of which proved false). Employees from the Naval Annex started showing up, treating the hotel as a sort of fallout shelter. Some of them had medical issues as well, though no injuries from the blast itself. I would stay in the ballroom for a bit until I couldn't take the news channel anymore, then I would walk the lobby and look at the Pentagon outside.

Wanting to do something, I suggested to the hotel that maybe the Red Cross should come by and organize an impromptu blood drive. Of course, you could not get a phone line and even if you could, the Red Cross probably had better things to do, but under the circumstances, I was desperate to do something, even something futile.

A little before three o'clock, I overheard an employee of the hotel saying they were going to start letting people back up to their rooms. I had agreed to drive some of the conference attendees, so I grabbed them and let them know they needed to be ready to go up and get their things.

When they let us up at 3:00, I was amongst the first groups to get on the elevator. I quickly packed, grabbed my car keys and my parking slip. I returned to the lobby and got my car from the valet. As I was waiting, I was joined by the rest of my party. Two people from New Hampshire, one from Arkansas. We got in the car and left the hotel behind.

The ride home to Pennsylvania provided the other image that stuck itself in my brain. The Capitol Beltway. It was empty. I don't mean light traffic. I mean there were no cars. I've never seen anything like it outside of a movie. It was like the opening of 28 Days Later. As though everyone had disappeared. The only reminder that we were not entirely alone was the rare passing car or the occasional traffic advisory sign warning us there had been a major incident in New York City and to avoid the area.

I dropped the man from Arkansas off at Dulles Airport. At that point, the information we had was that flights would resume at noon on September 12. Of course, flights actually did not resume until September 14. I do know he got back safely with his own remarkable story.

The two from New Hampshire came to my house to spend the night. I remember walking into my home and hugging my wife as though I'd been gone two years and not two days. We spent the night watching the news as NYC continued to smolder. The next day, our houseguests had secured a rental car and began to drive home to the Granite State.

I occasionally write down my recollections of that day. I don't want to forget. Hell, some days it is impossible to forget. As I was sitting at a desk 14 floors up a couple of weeks ago and the building began to sway, my first thought was not earthquake. I actually looked across the floor, half expecting to see it begin collapsing.

It's been ten years and that day has colored so much of the way I view my life. 9-11 is primarily associated with NYC and to the extent one can weigh a tragedy like this and apportion sympathy that seems absolutely right. However, my story was in Virginia outside the Pentagon and I will never forget.

My thoughts and prayers are with those we lost that day, those we've lost since in Iraq and Afghanistan, and their families. God bless.
Read More
Posted in formative experience | No comments

Saturday, 10 September 2011

The Ring (1927)

Posted on 05:26 by Unknown
Directed by Alfred Hitchcock
Carl Brisson, Lillian Hall-Davis and Ian Hunter
Produced by British International Pictures

A crowd gathers around a sideshow tent at a a carnival.  While most patrons find themselves on the rides, the mass around the tent is in for some real action.  The tent is where "One Round" Jack takes on all comers in the ring.  Men enter the tent cocky and certain and leave it bloody and humiliated.

The girl selling tickets for the show strikes up a flirtatious conversation with Bob Corby.  Jack has a thing for the girl and challenges Bob to a fight.  Surprisingly, Bob lasts a round.  More than that, Bob is winning.  For once, Jack is the one taking the beating.

After Jack loses, Bob reveals that he is really a champion boxer and that the fight was an audition for Jack to be his sparring partner.  If Jack can win one more fight, Bob will hire him.  Of course, Jack wins the fight and begins doing ring work with the champ.  He also starts a pro boxing career of his own.

Jack marries his girl, but she has eyes for Bob.  The girl loves to be out on the town partying and Bob is more than happy to oblige.

Jack soon learns of the affair.  Will the two pugilists settle their grudge in the ring?  And can Jack win his girl back?


There's a lot I could talk about here, but there are two words we need to start with:

Alfred.  Hitchcock.

The Ring is one of the suspense master's first features.  Hitchcock was one of my first true classic film loves growing up.  I have seen most of his later catalog and some of his earlier work.  It's impossible for me to view his films without the association to what will come later.

And through that lens, there is plenty to note here.  Hitchcock was always a master of constructing scenes and moments and that is on display even at this early point.  We are introduced to the amusement park through a montage of images from the carnival.  The camera gives us information, but in a kinetic way.  The camera shoots up from the ground at people on a swing.  We see a ride that rocks back and forth and then we are tight on the face of a woman enjoying the ride.  And then we are on the ride with the camera serving as our eyes in dizzying motion.  It's stuff a modern viewer will have seen before, but it's fresh and new here both in shot selection and editing.

While the love triangle isn't the murder mystery or espionage thriller Hitchcock is often associated with, he still finds plenty of moments of tension.  Most of it comes from observation of the details, a closeup of the tickets being taken at the sideshow or Jack's barely controlled rage as he he tries to keep his composure while simultaneously talking with a friend and seeking out Bob.

The real virtuoso Hitchcock moment is the final match between Jack and Bob.  During the first round, the action is conveyed through long shots of the ring and the crowd reaction.  The bell sounds and the two men return to their corner.  When the match resumes, Jack stalks right toward the camera and begins throwing punches at us.  From that moment, we are in the ring with the two men.  And when Jack gets knocked down at one point, we see the world through his eyes.  Images double, the ring spins into a confusion of ropes and canvas until our eyes open and we are staring at the overhead lights.

If there is a weakness here, it's the story itself from the only screenplay Hitchcock wrote himself.  It's a love triangle, with two men competing for one woman's hand, but the movie never gives a sense of why.  Hell, the credits only refer the the girl as "The Girl."  She's not a person here.  She just another trophy or title belt for the men.

And honestly, that would have been okay except the film also wants us to believe Jack truly loves her.  But we never see why.  When she makes her choice in the end, it doesn't really feel like it matters.

The actors are all more than up to the challenges of the script, but the real star here is Hitchcock.  He is already building images in a way that creates tension.  The Ring doesn't work as a whole, but so many of the moments do, it is worth a watch.  And the ending fight?  Classic.

***1/2 out of *****
Read More
Posted in 1927, alfred hitchcock, the ring | No comments

Saturday, 3 September 2011

Formative Experience: Super 8 and Nostalgia Cinema

Posted on 06:40 by Unknown
A good portion of my childhood seemed to have revolved around the movies.  My parents introduced me and my siblings to all manner of quality flicks.  There are moments I remember indelibly:
  • Dropping my brother off at Nana's so I could see my first movie in theaters (Star Wars!)

  • The moment I was told to cover my eyes in Raiders of the Lost Ark (I peeked and Nazi faces melted.  Nightmare fuel to be sure, but awesome.)

  • The flowers coming back to life as we near the climax of E.T.

  • Dreading Annie as we waited in the lobby and being too embarrassed to admit I enjoyed it afterward.

You get the picture.  Through it all, there was one constant. We saw most of our films at the same couple of theaters.  Today's young kids would barely recognize these places.  No stadium seating, sticky floors and a snap-crackle-pop sound system.  I'm not intending to go on an "in-my-day" kind of rant, just pointing out the differences.

So needless to say I was excited when Super 8's marketing highlighted the film as a throwback to the old Amblin movies.  Love J.J. Abrams. Love Steven Spielberg.  Love the vibe they are going for.

Still, I avoided it opening weekend.  And the subsequent weekends.  I was biding my time for the right experience.  First run theaters around me are pristine.  The sight lines are perfect.  The sound rumbles you out of your seat.  There's no way I can capture the magic of my youth in a counterfeit theater, right?

Super 8 finally came to the little second run place near my house.  You step across the seats, your feet crunching on day-old popcorn.The seating isn't flat, but it's far from stadium seating. And the speakers emit that familiar background hum from my youth.

Perfect.

I caught an early show after work and slid into a seat behind another group.  The screen lit up and showed its age with pitting and staining.  The lower right hand corner was perpetually out-of-focus.

It felt right.  For two hours, I was 10 years old again.  And watching the credits sequence on that screen made my year.

As to the movie itself, it was good but not great.  If it were a meal, I'd call the waiter over and point out that someone got a monster movie in my sweet coming-of-age soup.

Nostalgia is not supposed to be clean.  It's supposed to be scratches on old 8 mm or garish coloring in a video.  Super 8 could stand a little dirtying up and my theater delivered.

Super 8 may not be my favorite films of the year, but it may be my favorite film experience.
Read More
Posted in formative experience, super 8 | No comments

Thursday, 1 September 2011

The Jazz Singer (1927)

Posted on 07:02 by Unknown
Directed by Alan Crosland
Starring Al Jolson, May McAvoy and Warner Oland
Produced by Warner Bros. 



Cantor Rabinowitz is the latest of five generations of cantors at his synagogue. His dream is that his 13 year old son Jakie will follow in his footsteps, singing God's praises at the house of worship.



Jakie wants to sing all right, but he's not interested in chanting Kol Nidre. He prefers entertaining men at the local saloon by belting jazz standards. Unfortunately for Jakie, a family friend named Moisha sees him and tells the boy's father. The man retrieves his son and begins removing his belt to teach him a lesson. Jakie announces that if his father beats him, he will run away from home. The elder Rabinowitz drags the boy into a bedroom and, moments later, a teary-eyed boy emerges, kisses his mother goodbye and leaves.



Fast forward ten years, Jakie has changed his name to Jack Robin and earns a living as a singer. In a club one night, he is called up on stage and performs a rousing edition of "Dirty Hands, Dirty Face." Mary Dale, a dance in a theater company, hears his voice and offers to help advance his career.



Jack begins traveling the country as a performer, earning a decent wage and writing home to his loving mother. His father still won't acknowledge he even has a son.



Soon, Mary receives her big break: a featured role in a Broadway show. Soon after Jack gets his own shot at stardom: a Broadway show of his own. The show brings him home to his mother and close to Mary.



Jack visits his mom and performs for her, but his father arrives and forces his son out. As Jack prepares for his dress rehearsal, his mother and Moisha arrive to tell him his father is gravely ill. Jack proceeds with the dress rehearsal and is mother realizes that his place is at the theater, not the synagogue.



Still, Jack is troubled. Should he go ahead with his opening night on Broadway, forsaking his heritage? Or should he stand in his father's place as cantor, sacrificing his chance to fulfill hi won dreams?





It's impossible to review The Jazz Singer without talking about its major innovation: sound. Specifically, the movie features Al Jolson singing and speaking and conversing with his mother in key sequences. It also features the traditional silent film title cards, but when Jolson finishes singing "Dirty Hands, Dirty Face," he declares "Wait a minute, wait a minute, you ain't heard nothin' yet." Not on a card, but with the actor's voice.



Having spent the fourteen months feasting on silent films, this is a kick in the teeth. It feels anachronistic and exhilarating. Even knowing it's coming, I couldn't anticipate the way it would sound when Jolson utters some of the most famous lines in history.



And, after another song, the movie reverts back to the silent film tradition for a time. Silently moving lips, followed by words on the screen. But as you watch it, the possibility remains that at any point, the characters may begin singing or speaking again.



It seems a silly thing, but the possibility of the leap forward still feels enticing. I know how the history turns out and I'm still giddy with anticipation for the next recorded lines.



The story itself is relatively timeless, but with a confused ending. A boy struggles to become his own man to tear free from what his heritage, only to discover that perhaps there is strength in his lineage. Hell, Pixar as made millions off the idea (Cars and Finding Nemo).



The ending is to me a misstep. We are told Jack must choose: sing in the synagogue and never work in this town again, or have his opening night and deny all he is. He chooses... both. His opening night is canceled when he chooses to sing at the synagogue, but then, inexplicably, he still gets his own show afterward. The choice he makes creates drama that is sucked from the room when he has his cake and eats it too. The virtue in the ending is of course that Jack makes the right choice and we still get to hear him sing one last tune.



There is one other potential misstep that needs to be addressed: Jolson's Jack performing his later numbers in blackface. In most films, it is a repugnant practice, a further degrading of a race. Here, it seems informed by the themes of the movie. Jakie changes his name to Jack and spends the entire movie sublimating his Jewish heritage. The move to use blackface is a further attempt to deny who he really is. The theme would have been more powerfully realized if Jolson performed at the conclusion sans makeup, but watching Jack apply the blackface makeup and don the wig plays into his character in a way that white actors playing black characters in films don't even contemplate.



Is The Jazz Singer dated? Yup. Does it have a simple, see-it-coming-a-mile-away story? Affirmitive. Still, it's more than just a film; it's an experience. Jolson's voice and those words will reverberate in my head for a long time to come.



***** out of *****
Read More
Posted in 1927, al jolson, alan crosland, the jazz singer | No comments
Newer Posts Older Posts Home
Subscribe to: Posts (Atom)

Popular Posts

  • Tol'able David (1921)
    David and Rocket in a quiet moment Directed by Henry King Starring Richard Barthelmess, Gladys Hulette, Walter P. Lewis Produced by Inspirat...
  • Geheimnisse Einer Seele, or Secrets Of A Soul (1926)
    Trippy Directed by G.W. Pabst Starring Werner Krauss, Ruth Weyher and Ilka Grüning Produced by Neumann-Filmproduktion An apartment. A hu...
  • Big Business (1929)
    Directed by James W. Horne, Leo McCarey Starring Stan Laurel, Oliver Hardy and James Finlayson Produced by Hal Roach Studios It's Christ...
  • Christopher Strong (1933)
    Directed by Dorothy Arzner Starring Katharine Hepburn, Colin Cive and Billie Burke Produced by RKO Radio Pictures Let me get this out of the...
  • Waxworks (1924)
    Directed by Leo Birinsky, Paul Leni  Starring Emil Jannings, Conrad Veidt and Werner Krauss  Produced by Neptune-Film AG   An unnamed writer...
  • Japanese Animation of 1929: Kobu-Tori and Taro's Toy Train
    Directed by Yasuji Murata In Kobu-Tori , an old man with a lump growing on his face takes refuge in a hollow tree during a thunderstorm.  Wh...
  • Michael (1924)
    The master and his model Directed by Carl Theodor Dreyer Starring Walter Slezak, Benjamin Christensen and Nora Gregor Produced by Universum ...
  • Winning Streak Blogathon: Rob Reiner
    Sometimes a film-maker really gets "in the zone", producing a stream of quality films one after the other. Usually though a dud ...
  • Alice Comedies of 1926
    Disney and KKK-like killers Produced by Walt Disney Productions I recently watched Alice's Mysterious Mystery , Alice's Little Parad...
  • 1924: Greed Is Good... but Can You Cut It to Two Hours?
    Cut my film? You amuse me... Welcome to 1924!  This is the year we raise a glass for the start of Toastmasters International.  Huzzah! In wo...

Categories

  • 12 angry men
  • 1910
  • 1911
  • 1912
  • 1913
  • 1914
  • 1915
  • 1916
  • 1917
  • 1918
  • 1919
  • 1920
  • 1921
  • 1922
  • 1923
  • 1924
  • 1925
  • 1926
  • 1927
  • 1928
  • 1928. john ford
  • 1929
  • 1930
  • 1931
  • 1932
  • 1933
  • 1959
  • 1977
  • 1984
  • 1997
  • 20000 leagues under the sea
  • A Fool there Was
  • a lad from old ireland
  • a natural born gambler
  • a sammy in siberia
  • Abraham Lincoln
  • Adolfo Padovan
  • aelita queen of mars
  • after tomorrow
  • akira kurosawa
  • al jolson
  • alan crosland
  • albert parker
  • Alberto Cavalcanti
  • Aleksandr Dovzhenko
  • alexander korda
  • alfred e green
  • alfred hitchcock
  • alfred santell
  • algie
  • alice comedies
  • alice guy
  • all quiet on the western front
  • all wet
  • amarilly of clothes-line alley
  • animal crackers
  • anna christie
  • another fine mess
  • another view
  • april1
  • archie mayo
  • are crooks dishonest
  • arsenal
  • artsfest
  • atlantis
  • baby face
  • bangville police
  • bankruptcy
  • barbara stanwyck
  • bardelys the magnificent
  • battleship potemkin
  • battling butler
  • beau brummel
  • bela lugosi
  • bell boy
  • beloved rogue
  • Ben-Hur: A Tale of the Christ
  • benjamin stoloff
  • berlin: symphony of a great city
  • bert williams
  • best picture
  • beyond the rocks
  • big business
  • birth of a nation
  • blackmail
  • blockbuster
  • blogathon
  • blood and sand
  • blue bird
  • boris karloff
  • bridge on the river kwai
  • brigette helm
  • broadway melody
  • broken blossoms
  • bugs bunny
  • buster keaton
  • butcher boy
  • captain america
  • captain fracasse
  • carl theodor dreyer
  • cecil b. demille
  • charles laughton
  • charlie chaplin
  • chess fever
  • china seas
  • Christmas Carol
  • christopher strong
  • cimarron
  • citizen kane
  • city girl
  • city lights
  • civilization
  • clara bow
  • clarence brown
  • clark gable
  • cleopatra
  • cobra
  • colin clive
  • college
  • conrad veidt
  • crash
  • d.w. griffith
  • daddy long legs
  • daughter of the gods
  • dead alive
  • decade wrap up
  • Defence of Sevastopol
  • destiny
  • disney
  • documentary
  • dorothy arzner
  • douglas fairbanks
  • dr. jekyll and mr. hyde
  • dr. mabuse
  • dracula
  • duck soup
  • dziga vertov
  • easy street
  • ed wood
  • edmund goulding
  • educational films
  • edward g robinson
  • edward s. curtis
  • edwin l marin
  • elmo lincoln
  • emil jannings
  • eric campbell
  • erich von stroheim
  • ernest b. schoedsack
  • ernest torrence
  • ernst lubitsch
  • eugene o'brien
  • evelyn brent
  • evgeni bauer
  • evil dead
  • exploitation films
  • f.w. murnau
  • famous players film company
  • fannie ward
  • fantastic four
  • fatty arbuckle
  • feline follies
  • felix the cat
  • film pasture
  • flesh and the devil
  • formative experience
  • four sons
  • fox film foundation
  • Francesco Bertolini
  • frank borzage
  • frank capra
  • Frank Powell
  • frankenstein
  • freaks
  • fred niblo
  • frederick warde
  • friday the 13th
  • fritz lang
  • g.w. pabst
  • gary oldman
  • gene gauntier
  • george archainbaud
  • george brent
  • george fitzmaurice
  • george loane tucker
  • george lucas
  • gertie the dinosaur
  • gloria swanson
  • godzilla
  • gold rush
  • Gone with the Wind
  • grand hotel
  • grass: a nation's battle for life
  • greed
  • green lantern
  • greta garbo
  • guilty generation
  • haldane of the secret service
  • harold lloyd
  • harry beaumont
  • haunted house
  • hausu
  • Henri Étiévant
  • henry king
  • Henry Lehrman
  • henry macrae
  • Henry Wulschleger
  • herbert marshall
  • hollywood
  • horse feathers
  • houdini
  • humor
  • i am a fugitive from a chain gang
  • i was born but
  • icon
  • in old arizona
  • in the land of war canoes
  • interracial romance
  • intolerance
  • irving cummings
  • it
  • J.Searle Dawley
  • jackie cooper
  • james cagney
  • james cameron
  • james cruze
  • james parrott
  • james w horne
  • james whale
  • james young
  • jean arthur
  • jean harlow
  • jeanette macdonald
  • jesse l. lasky
  • jesus
  • jim carrey
  • jim jarmusch
  • joan crawford
  • joel mccrea
  • john barrymore
  • john ford
  • john gilbert
  • john wayne
  • johnny weissmuller
  • Josef von Sternberg
  • joseph santley
  • josephine baker
  • just pals
  • just rambling along
  • katharine hepburn
  • keystone cops
  • kid auto races at venice
  • king kong
  • king lear
  • king vidor
  • L'Inferno
  • lamb
  • lammy
  • last of the mohicans
  • laurel and hardy
  • leaves from satan's book
  • leo mccarey
  • lewis milestone
  • liliom
  • lillian gish
  • lionel barrymore
  • little american
  • little annie rooney
  • little caesar
  • little nemo
  • Little Tramp
  • live flesh
  • lon chaney
  • lonely wives
  • looking back
  • loretta young
  • louise brooks
  • love parade
  • lucius henderson
  • luis bunuel
  • M
  • maltese falcon
  • man with a movie camera
  • manic pixie dream girl
  • Marc McDermott
  • Mario Nalpas
  • marion davies
  • marlene dietrich
  • marshall neilan
  • marx brothers
  • mary pickford
  • Maurice Tourneur
  • max fleischer
  • me and my gal
  • merian c. cooper
  • merry-go-round
  • mervyn leroy
  • metropolis
  • mgm
  • michael
  • mickey mouse
  • milestones
  • modern times
  • monkey business
  • monte carlo
  • mothra
  • movie theaters
  • mr. popper's penguins
  • murder
  • musketeers of pig alley
  • neil hamilton
  • netflix
  • never weaken
  • new york hat
  • nicolas cage
  • night of horros
  • Norman Z McLeod
  • nosferatu
  • not so secret santa
  • number please
  • off-topic
  • oliver hardy
  • oliver twist
  • one week
  • opry house
  • orphans of the storm
  • oscar apfel
  • oscar winner
  • oswald
  • otis turner
  • our hospitality
  • out of the inkwell
  • pandora's box
  • paramount
  • parody
  • paul leni
  • paul muni
  • pedro almodovar
  • Pennsylvania Board of Motion Picture Censors
  • peter lorre
  • photoplay
  • platinum blonde
  • podcast
  • police
  • poll
  • polly of the circus
  • private life of henry viii
  • propaganda
  • public enemy
  • Quantifying Cinemania
  • que viva mexico
  • queen kelly
  • racism
  • raging bull
  • rambling ramblers
  • ramblings
  • ran
  • raoul walsh
  • rebecca of sunnybrook farm
  • redbox
  • richard barthelmess
  • rmocj
  • rob reiner
  • robert florey
  • robert louis stevenson
  • robin hood
  • roger corman
  • rowland v lee
  • roy del ruth
  • rudolph valentino
  • russell mack
  • sadie thompson
  • safety last
  • saga of gosta berling
  • sally of the sawdust
  • salvador dali
  • samuel goldwyn
  • Scrooge
  • secrets of a soul
  • sergei eisenstein
  • serial bowl
  • Sessue Hayakawa
  • shakespeare
  • shallow grave
  • shameless self-promotion
  • sherlock holmes
  • sherlock jr.
  • shoulder arms
  • sidney lumet
  • sidney olcott
  • silent film
  • silver horde
  • siren of the tropics
  • skin game
  • slapstick
  • slumdog millionaire
  • soup to nuts
  • spencer tracy
  • spiders
  • spiders. fritz lang
  • squaw man
  • stan laurel
  • star wars
  • steamboat bill jr.
  • stella maris
  • stranger than paradise
  • study in scarlet
  • sunnyside
  • sunrise
  • super 8
  • svengali
  • tabu
  • tarzan
  • tarzan of the apes
  • tarzan the tiger
  • taxi driver
  • tess of storm country
  • that guy
  • the adventures of prince achmed
  • the affairs of anatol
  • the battle of the sexes
  • the bells
  • the big trail
  • the black cyclone
  • the black pirate
  • the blue angel
  • the cabinet of dr. caligari
  • the champ
  • The Cheat
  • the circus
  • the cocoanuts
  • the dark knight rises
  • the dinosaur and the missing link
  • the dream
  • the eagle
  • the floorwalker
  • the general
  • the haunted house
  • the heart of new york
  • the hunchback of notre dame
  • the iron horse
  • the jazz singer
  • the kid
  • the king of kings
  • the little american
  • The Lonedale Operator
  • the lost world
  • the love of jeanne ney
  • the love trap
  • the man who laughs
  • the mark of zorro
  • the miner
  • the mothering heart
  • the navigator
  • the oyster princess
  • the paleface
  • the passion of joan of arc
  • the phantom of the opera
  • the ring
  • the seven chances
  • the sheik
  • the sinking of the lusitania
  • the struggle
  • the temptress
  • the ten commandments
  • the thief of bagdad
  • the three musketeers
  • the three stooges
  • the tramp
  • the unchanging sea
  • the unknown
  • the wasp woman
  • the wind
  • the wonderful wizard of oz
  • Theda Bara
  • thomas edison
  • thomas ince
  • titanic
  • tod browning
  • tol'able david
  • top ten
  • toy wife
  • traffic
  • traffic in souls
  • trolley troubles
  • tropes
  • trouble in paradise
  • twilight of a woman's soul
  • two-lip time
  • un chien andalou
  • union depot
  • universal pictures company
  • victor halperin
  • victor heerman
  • victor sjostrom
  • vlog
  • w.c. fields
  • wallace beery
  • walt disney
  • walter huston
  • warner brothers
  • waxworks
  • way down east
  • we faw down
  • we sing poorly
  • what i learned
  • what price hollywood
  • what the daisy said
  • white zombie
  • why change your wife
  • william a. wellman
  • william austin. Clarence G. Badger
  • william powell
  • william wyler
  • willis o'brien
  • wings
  • winsor mcay
  • wizard of oz
  • woman in the moon
  • x-men: first class
  • yasuji murata
  • yasujiro ozu
  • young america
  • youtube

Blog Archive

  • ►  2014 (16)
    • ►  July (2)
    • ►  June (6)
    • ►  April (6)
    • ►  February (2)
  • ►  2013 (52)
    • ►  December (5)
    • ►  November (4)
    • ►  September (3)
    • ►  August (2)
    • ►  July (5)
    • ►  May (5)
    • ►  April (7)
    • ►  March (2)
    • ►  February (8)
    • ►  January (11)
  • ►  2012 (91)
    • ►  December (2)
    • ►  November (5)
    • ►  October (9)
    • ►  September (7)
    • ►  August (24)
    • ►  July (18)
    • ►  June (4)
    • ►  May (1)
    • ►  April (2)
    • ►  March (8)
    • ►  February (8)
    • ►  January (3)
  • ▼  2011 (109)
    • ►  November (2)
    • ▼  September (4)
      • Formative Experience: 10 Years Ago...
      • The Ring (1927)
      • Formative Experience: Super 8 and Nostalgia Cinema
      • The Jazz Singer (1927)
    • ►  August (10)
    • ►  July (14)
    • ►  June (30)
    • ►  May (11)
    • ►  April (13)
    • ►  March (7)
    • ►  February (3)
    • ►  January (15)
  • ►  2010 (94)
    • ►  December (8)
    • ►  November (20)
    • ►  October (15)
    • ►  September (17)
    • ►  August (14)
    • ►  July (13)
    • ►  June (7)
Powered by Blogger.

About Me

Unknown
View my complete profile